Visual Scholarship Initiative

The Visual Scholarship Initiative (VSI) was started in 2006 by a small group of graduate students at Emory University. It quickly established itself on the Emory campus as a place where students from different departments could meet to share work and explore the creative possibilities of scholarly practice.

At the core of VSI was critical appraisal of work in progress. Meeting regularly, students formed an ongoing discussion group that took specific examples of practice as its point of departure. VSI followed an art school “crit” approach – that is everyone except the presenter responded to the work, and only after everyone had spoken was the presenter allowed to speak. Comments focused on the formal and substantive aspects of the work under review and the particular choice of medium. The varied backgrounds and academic locations of participants yielded lively exchange and laid the foundation for subsequent dialogue among participants. This second stage of discussion focused around where the presented work stood in relation to existing forms of scholarship and what kinds of arguments might be made as to its academic legitimacy. Students supported each other in experimenting with different approaches and media. Collectively they worked towards establishing an intellectual context for non-traditional work and the grounds for its evaluation as scholarly practice.

In the Time of COVID (2021)

This is a conversation between 9 short films, by 9 filmmakers associated with the Visual Scholarship Initiative (VSI), created as a response to our experiences during the pandemic. Mimicking in arrangement the monthly Zoom meetings we had, the films offer observational, reflexive and experimental perspectives that collectively represent both the kinds of work we do in content and in concept.

A Conversation with the VSI

The VSI was invited to host a session at the 2021 RAI Film Festival. This was a pre-recorded conversation that introduced the session and the screening of the films.

Visual Methodologies

This special journal issue seeks to examine the role of participation in visual methodologies. It is a collection of essays from members of VSI in which practitioners reflect upon their uses of photography, film, and video as a form of practice-based research.